Understanding the space between the natural and digital world, and their relationship through visual art. Questioning our depiction of what is natural and what is digital encourages us to find that space in between that holds them and enables them to interact. 

None of the pieces have been digitally edited or retouched. Every photograph is as it was in real life - only captured through a digital lens and observed through a digital screen. The light, colour and matter have been assembled together into a physical composition - ‘analogue editing’.  This technique creates a space where technology and nature coexist and interact. The realisation of the compatibility of nature’s qualities existing within a digital world is reached. Something new is birthed, spiralling outward from all of life's cycles. The cycles that the collection itself captures. 

Water holds and carries its occupants, those being the physical natural matter or artificial light cutting through its intricacies - both move through the vessel in synchronised dance. This concept echoes the cyclic nature of life - incubation, birth, death - usually chronological, yet through these pieces are held together simultaneously within this space of water and light.